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Bar-line shift
In jazz, a bar-line shift is a technique in which, during improvisation, one plays the chord from the measure before or after the given chord either intentionally or as an "accident."〔Coker, Jerry (1997). ''Elements of the Jazz Language for the Developing Improvisor'', p.83. ISBN 1-57623-875-X.〕
Bar-line shifts may be caused by a novice having lost his or her place in the chord progression, but is most often attributable to: "(1)...harmonic generalization, as in the case of playing a to V7 (+5, +9) progression (II-V-I turnaround ) as only a V7 (+5, +9); or (2) the player ''wanted'' to play the previous chord (though it has already transpired), but was either pausing momentarily (as in taking a breath), and decides to adopt the 'better later than never' attitude."〔 An example of a "very intentional" bar-line shift may be found on Cannonball Adderley's solo on "So What," "in which he deliberately enters and exits the bridge early, causing considerable tension, since the chord of the A section (D-) is one-half step lower than the chord of the bridge (E-)."〔
Outside of jazz a barline shift may be less than a bar, causing a change in the metric accent of the melody and its cadence.〔Newman, William S. (1995). ''Beethoven on Beethoven: Playing His Piano Music His Way'', p.170-71. ISBN 0-393-30719-0.〕
==See also==
*Side-slipping
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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